Book Review
The Years With Laura Diaz
by Carlos Fuentes
Farrar, Straus
& Giroux, 516 pp., $26.00
Reviewed by Gale
Randall
Gale Randall, who hails
from Palo Alto, California, reviewed books in the June 2000 and November 2000
issues of Mexico File.
When I first perused
Carlos Fuentes' new novel, The Years With Laura Diaz, I thought:
Oh, oh, another book about Frida Kahlo. But not really. Although Frida's
inimitable visage gazes out from a famous Diego Rivera mural printed on the
book's jacket and she figures as a passing friend of the protagonist Laura
Diaz, Frida counts as only a minor player in this monumental and complex saga
of 20th century Mexico.
Opening in Detroit where
the character Laura Diaz's Chicano great‑grandson has traveled to film
some Diego Rivera murals, and ending with him in Los Angeles, The Years
With Laura Diaz has a global scope yet concentrates on the life of one
Mexican woman, Laura Diaz, and several generations of her family. Born in 1898
at the turn of the 20th century on her grandparents� coffee hacienda in
Catemaco, Veracruz, Laura Diaz is a sensitive, intelligent woman who bears
witness to and is caught up in major events of the 20th century � the
Mexican Revolution, the Spanish Civil War and the 1968 massacre of university
students at Tlatelolco. Deeply touched by her radical half‑brother
Santiago's execution during
the revolution, as a young
debutante in Xalapa Laura eschews a future life in society in favor of
marriage to a dark‑skinned union organizer. Laura and her husband, Juan
Francisco, move to Mexico City where they lead a pleasant though rather
pedestrian life and Laura bears two sons. But marriage to Juan Francisco
eventually palls and Laura takes up with a sophisticated, arty crowd, some of
whom are refugees from Spain's 1930s civil war. It�s this section of the
novel that brings to mind the urbane characters and settings of Fuentes�
early and brilliant Mexico City novel, Where the Air is Clear.
There�s even a cameo reappearance of the character Artemio Cruz, from
Fuentes� The Death of Artemio Cruz.
Drawing partly from his
own family history, Fuentes has peopled Laura Diaz with an intriguing cast of
characters, like her maiden aunties, Hilda and Virginia, one of whom writes
poetry no one will ever read and another who plays Chopin to empty rooms at
the family hacienda in Catemaco � it�s Fuentes� goal, of course, to have
Laura Diaz avoid this fate! But what I like most about this novel is
Fuentes� description of place � no other writer succeeds so well in
capturing the essence of Mexico, its sites, sounds and heady aromas.
Describing the town of Xalapa, to which Laura�s family retreats after her
brother�s death in Veracruz � and a place I knew little about � Fuentes
writes:
"How different Xalapa was. At night, Veracruz retained � and increased � the heat of the day. Xalapa, in the mountains, had warm days and cold nights. Veracruz had swift, rackety storms, but here the rain became fine, persistent, making everything green and filling a central point in the city � the reservoir behind the El Dique dam, always about to overflow, giving an impression of sadness and security at the same time. It was from the flume that the city�s light mist rose to meet the mountain�s thick fog; Laura Diaz is remembering when she first came to Xalapa and noted: cold air � rain and rain � birds � women dressed in black � beautiful gardens � cast‑iron benches � white statues painted green by the humidity � red tiles � steep narrow streets � market smells and bakeries, wet patios and fruit trees, the aroma of orange trees and the stench of slaughterhouses."
Surviving a failed marriage,
the death of loved ones, and love affairs with refugees from both the Spanish
Civil War and McCarthyism, Laura Diaz nonetheless emerges as a strong, committed
woman. Taking up photography later in her life, she inadvertently captures the
horrors of the Tlatelolcol massacre. Through these and other images of everyday
life in Mexico, Laura gains renown as an artist, ultimately leaving her own
imprint on the century. If you read only one historical novel of 20th
century Mexico, Laura Diaz should be it.
Correction: The travel
classic, Quest for the Lost City by Dana and Ginger Lamb, reviewed
in the November 2000 issue of Mexico File, is still available. You can
order it either through Amazon.com, Adventures Unlimited Press, or the
publisher: George Erikson, 8471
Warwick Dr., Desert Hot Springs, CA 92240‑1124.
($16.95 plus $2.50 for shipping and handling)
� 2001 Gale Randall